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dc.contributor.advisorReuter, Greg
dc.contributor.authorMalczewski, Andrew
dc.date.accessioned2018-03-23T21:02:37Z
dc.date.available2018-03-23T21:02:37Z
dc.date.issued2017-12
dc.identifier.urihttp://hdl.handle.net/1969.6/24400
dc.description.abstractI have always been immersed in stories of fantasy, especially the works of J.R.R. Tolkien including The Hobbit and The Lord of the Rings which were some of the first novels I read. I embraced them and they led me to become very familiar with that genre. In my search for personal expression I find myself once again being drawn to the works of Tolkien. In a 1939 lecture entitled On Fairy-Stories, he discussed fantasy and fairy tales providing validations for the importance of the fantasy genre. He also identified three values required for Fantasy: Recovery, Escape, and Consolation. He defined these in a literary convention. I am translating them into a visual one. This paper discusses how I came to the decision to synthesize the literary convention of Fantasy with the Visual arts. It posits how experience is an essential part of this synthesis. How the replacement of a monetary value with the value of a gift allows the experience to transcend from the exhibition space to the home. It discusses the importance I place on the atypical viewer of fine arts and why I made this body of work specifically for them. This paper discusses how I used the formal elements of design to create an aesthetically pleasing sculpture that continually reinforces the conceptual basis of fantasy as a visual art and how it works together to create a new and engaging environment; a microcosm of a second world where the mind can wander. It is how I combine my two intense interests – fantasy art in concept and fine art in construction.en_US
dc.format.extent28 pagesen_US
dc.language.isoen_USen_US
dc.rightsAttribution 3.0 United States*
dc.rightsThis material is made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with its source. All rights are reserved and retained regardless of current or future development or laws that may apply to fair use standards. Permission for publication of this material, in part or in full, must be secured with the author and/or publisher.en_US
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/us/*
dc.subjectFantasyen_US
dc.subjectFine Arten_US
dc.subjectGiften_US
dc.subjectLittle Worldsen_US
dc.subjectsculptureen_US
dc.subjectTolkienen_US
dc.titleLittle worldsen_US
dc.typeTexten_US
thesis.degree.disciplineStudio Arten_US
thesis.degree.grantorTexas A & M University--Corpus Christien_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Artsen_US
dc.contributor.committeeMemberKatz, Louis
dc.contributor.committeeMemberPeña, Joe
dc.description.departmentArt & Designen_US
dc.description.collegeCollege of Liberal Artsen_US
dc.type.genreThesisen_US


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Attribution 3.0 United States
Except where otherwise noted, this item's license is described as Attribution 3.0 United States